• Lithopone 28-30% Lithopone B301 , B311 low price System 1
  • Lithopone 28-30% Lithopone B301 , B311 low price System 2
  • Lithopone 28-30% Lithopone B301 , B311 low price System 3
  • Lithopone 28-30% Lithopone B301 , B311 low price System 4
Lithopone 28-30% Lithopone B301 , B311 low price

Lithopone 28-30% Lithopone B301 , B311 low price

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Loading Port:
Tianjin
Payment Terms:
TT OR LC
Min Order Qty:
20 m.t.
Supply Capability:
2000 m.t./month

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Specifications of Lithopone

Lithopone ZnS-BaSO4
1. zinc: 28-30%,30%
2. Uses:paints,printing inks,coating,paper pigment,plastic
3. ISO,SGS
4. 25kg/bag

Lithopone ZnS-BaSO4 :

 

1. Commodity: 

 Lithopone (ZnS-BaSO4) for paint ink plastic paper etc 

 

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2. Description: 

Lithopone B301 is a kind of lithopone whose hiding power is better than that of zinc oxide and worse than that of titanium dioxide.It has good heat-resisitance and is insoluble in water.

White powder, is a mixture of zinc sulfide and barium sulfate. Have high whiteness and good covering power. It is called Inorganic white pigment. Widely used as white pigment of plastics such as polyolefin, vinyl resin, ABS resin, polystyrene, polycarbonate, nylon and polyoxymethylene (POM), also for paint and ink . it is use to colourate for rubber products , linoleum, leather, paper, enamel. 

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3.  Features: 

1) A white pigment produced by precipitation through filtering,
heating and quenching works
2) Has mostly been replaced by titanium dioxide which is more
durable, but it is much cheaper

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4. Application:

Mainly used of coatings, printing ink, rubber, plastic, powder, profiles, paint, paper, and leather, etc.
1) Used as a base for lake pigment
2) Used as a inert pigment for paint, ink and cosmetics
3) A large range of applications in plastic industry
4) Used as a filler in paper, leather, and linoleum

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5. Packaging:  

Packing:25kgs per bag or according customer's requirements.

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6. Specifications:

ITEMSPECIFICATIONS

Zinc oxide,%

≤0.60

Total zinc(on zinc sulfide basis),%

≥28

Quality standard

GBT1707-95

Tinting strength(Relative)

≥105

Total zinc sulfide and barium sulfate

≥99.0

Water soluble %

≤0.40

Oil absorption,g/100g,

≤14.0

Sieve residue 45um %

≤0.10

Volatile at 105°C g/100g

≤0.30

Color

Not lower than standard sample

Hiding Power(contrast ratio)Not lower than 5% of standard sample

 

 

Q: What is the difference between dyes and pigments? Could you give some examples of each one please.
Dye is used to change the color of things, like cloth. A pigment is like the color and texture of your skin. Or the color in paint.
Q: i would like to now so i could put it in a marker thanks..
Isn't all ink pigmented? A quick search for make your own ink turned up many recipes. Here is one: Basic Permanent Black Ink: 1 egg yolk 1 tsp gum arabic 1/2 cup honey 1/2 tsp lamp black (buy in a tube or make by holding a plate over a lit candle) Mix egg yolk, gum arabic and honey in a small bowl.
Q: why light and pigments are different?
A pigment is a material that changes the color of reflected or transmitted light as the result of wavelength-selective absorption. This physical process differs from fluorescence, phosphorescence, and other forms of luminescence, in which a material emits light. Many materials selectively absorb certain wavelengths of light. Materials that humans have chosen and developed for use as pigments usually have special properties that make them ideal for coloring other materials. A pigment must have a high tinting strength relative to the materials it colors. It must be stable in solid form at ambient temperatures. For industrial applications, as well as in the arts, permanence and stability are desirable properties. Pigments that are not permanent are called fugitive. Fugitive pigments fade over time, or with exposure to light, while some eventually blacken. Pigments are used for coloring paint, ink, plastic, fabric, cosmetics, food and other materials. Most pigments used in manufacturing and the visual arts are dry colourants, usually ground into a fine powder. This powder is added to a vehicle (or binder), a relatively neutral or colorless material that suspends the pigment and gives the paint its adhesion.
Q: what is a pigment? Please describe it, and tell me the uses.?
Pigments are a natural color in organisms. To understand pigments, you must understand the reflections of light. Pigments allows for organisms to have color, like the blue or brown in the eyes. For example, leaves in plants are color green because their pigments absorb all the colors because of photosynthesis except green and reflects off the color. Their plants are usually not green because they don't need to absorb light as much as the leaves does. Pigments depend on the type of light it absorbs. You are green in a dark room with green light right?
Q: I am trying to decide what kind of eyeshadow I should but I want something really pigmented and nice.
Best Pigmented Eyeshadow
Q: what the book says is that they 'harvest additional wavelengths.' i don't know what this means to how its an advantage.. can somone explain?
Each photon has a particular wavelength, determined by the photon's energy. A pigment such as chlorophyll can only absorb photons in particular wavelength bands, matching the energies of available electron transitions to excited states. For chlorophyll, these bands are in blue and red -- the green color of most leaves is due to the waste light that is not absorbed by chlorophyll, while red and blue photons can be absorbed and used to power photosynthesis. An accessory pigment can absorb a photon that has a wavelength (color) outside of the bands that chlorophyll is able to absorb and can pass some of the absorbed energy on to chlorophyll, getting rid of the excess energy in another form, such as heat. A pigment might be tuned to absorb a photon of yellow light; the absorbed energy, stored in the excited state of an electron, is called an exciton (the photon becomes an exciton, so energy is not created or destroyed). The exciton can be passed to a chlorophyll, but only with the same energy as the red photon that the chlorophyll could normally absorb directly. The excess energy, the difference in energy between the yellow and red photon, must be dissipated in another form. This process allows a plant to harvest photons that would otherwise be unavailable to its photosystems. Consider how this would be an advantage to a plant living on a shaded forest floor, or to a planktonic cyanobacteria floating in the water below other photosynthetic algae, in regions where photosynthetically useful photons are scarce.
Q: how are the pigments in clothes differ from plant pigments?
Pigments are pigments. They are made of molecules that absorb some colors and reflect others from the visible spectrum of light, which gives everything color. Black pigments absorb everything and reflect nothing, so black is the absence of color and it is why dark clothing are warmer in winter. White pigments reflect everything and absorb nothing, so clothing that is white is cooler in summer. Most plants have more chlorophyll, a green pigment, in them than other pigments, so the plant is overwhelmingly reflecting green back to our eyes and absorbing the red and blue ends of the spectrum. In fall, when the chlorophyll breaks down, we can see the yellow, orange, and red pigments that are also in the leaf for a few weeks. In this way, all pigments are alike. However, perhaps what your teacher is looking for is that the green pigment chlorophyll in plants not only absorbs red and blue wavelengths of light, it also uses that energy to excite electrons from the molecules of chlorophyll and send them through an electron transport chain that enables light energy to be converted to chemical energy and store it in the C-H bonds of glucose, which is made during photosynthesis. Other pigments, whether they be in clothes or other objects such as cars or just about anything else do not do this. Only plant chlorophyll, or the green pigment in plants, converts light energy to chemical energy. That is the one huge difference. Otherwise, like all other pigments, chlorophyll absorbs some wavelengths of light and reflects others, in the case of chlorophyll, green wavelengths of light.
Q: We see pigments everywhere in products. They make a variety of things we see today. Where does it come from? Do they actually take a red rose pedal, grind the color and designate it as the color red?
Yes, cheaper brands use actual dye. Like, literally dye, as in the stuff you can dye clothing with.
Q: In photosynthesis whats the difference between primary and accesory pigments?
Primary pigments are molecules that convert light energy to chemical energy directly; chlorophyll is the primary pigment in all photosynthetic organisms. Accessory pigments are molecules that absorb photons which are not captured by chlorophyll. The presence of accessory pigments (found in the thylakoid membranes of plants) allows phototrophs (plants, algae, and cyanobacteria) to capture energy from the sun that would otherwise go to waste. The two most common types of accessory pigments are carotenoids and phycobilins. Some examples of carotenoids in common plants are: beta-carotein (carrot orange), lutein (marigold yellow), and lycopene (tomato red). Phycobilins are found only in red algae or cyanobacteria. The two most common phycobilins are: phycoerythrin (red), and phycocyanin (blue). The presence of accessory pigments in plants is masked by the presence of chlorophyll during the Spring and Summer seasons; that's why leaves are green most of the time. The color change from green to red, orange, or yellow that we observed during the Fall season is caused by the absence of chlorophyll; the accessory pigments are always present until the leaves fall as the trees go into dormant mode.
Q: How are plant pigments involved in photosynthesis?
Plant pigments - as other pigments - interact with light to absorb only certain wavelengths. In plants the different sorts of pigments are useful to absorb available wavelengths of light and enable photosynthesis in shadow, in bright sunshine, in deep sea etc.: each pigment reacts with only a narrow range of the spectrum, there is usually a need to produce several kinds of pigments, each of a different color, to capture as much as possible of the sun's energy.

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